{"id":213,"date":"2023-04-17T11:35:31","date_gmt":"2023-04-17T14:35:31","guid":{"rendered":"https:\/\/dance-tech.xyz\/?p=213"},"modified":"2023-04-17T11:35:31","modified_gmt":"2023-04-17T14:35:31","slug":"compartilhamento-contato","status":"publish","type":"post","link":"https:\/\/dance-tech.xyz\/?p=213","title":{"rendered":"Compartilhamento Contato"},"content":{"rendered":"\n<p>Bailarinos do Grupo de Pesquisa Partitura Encenada compartilham parte da experi\u00eancia de pesquisa com o instrumento Contato. O bailarino vestido com o instrumento, toca enquanto dan\u00e7a, e se torna co-compositor quando traz para seu corpo uma partitura musical j\u00e1 existente.<\/p>\n\n\n\n<p><strong>Propositores: <\/strong>Grupo de Pesquisa Partitura Encenada (Afonso Mateus da Silva Pinto, Ana Carolina Navarro, Anniely de Jesus, Beatriz dos Prazeres, Bia Oliveira, Caroline Brede de Figueiredo, Cley, Gabriel Guimaraes, J\u00e9ssica Mamede, Lenine Vasconcellos, Marcos Hayman, M\u00e9lani Zmorzynski,&nbsp; N\u00eddia Paletot, Vit\u00f3ria Leit\u00e3o)<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1600\" height=\"897\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato.jpg\" alt=\"\" class=\"wp-image-129\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato.jpg 1600w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato-300x168.jpg 300w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato-1024x574.jpg 1024w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato-768x431.jpg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/compartilhamento-cotato-1536x861.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Bailarinos do Grupo de Pesquisa Partitura Encenada compartilham parte da experi\u00eancia de pesquisa com o instrumento Contato. O bailarino vestido com o instrumento, toca enquanto dan\u00e7a, e se torna co-compositor quando traz para seu corpo uma partitura musical j\u00e1 existente. Propositores: Grupo de Pesquisa Partitura Encenada (Afonso Mateus da Silva Pinto, Ana Carolina Navarro, Anniely de Jesus, Beatriz dos Prazeres, Bia Oliveira, Caroline Brede de Figueiredo, Cley, Gabriel Guimaraes, J\u00e9ssica Mamede, Lenine Vasconcellos, Marcos Hayman, M\u00e9lani Zmorzynski,&nbsp; N\u00eddia Paletot, Vit\u00f3ria Leit\u00e3o)<\/p>\n","protected":false},"author":1,"featured_media":129,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"blocksy_meta":"","_links":{"self":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/213"}],"collection":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=213"}],"version-history":[{"count":1,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/213\/revisions"}],"predecessor-version":[{"id":214,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/213\/revisions\/214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/media\/129"}],"wp:attachment":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}