{"id":441,"date":"2023-07-22T16:45:41","date_gmt":"2023-07-22T19:45:41","guid":{"rendered":"https:\/\/dance-tech.xyz\/?p=441"},"modified":"2023-07-22T19:19:10","modified_gmt":"2023-07-22T22:19:10","slug":"mesa-1-danca-tecnologia-e-saude","status":"publish","type":"post","link":"https:\/\/dance-tech.xyz\/?p=441","title":{"rendered":"MESA 1: DAN\u00c7A, TECNOLOGIA E SA\u00daDE"},"content":{"rendered":"\n<p><strong>Palestrantes: <\/strong>Ana Carolina Navarro, Bru Likes, Isabela Panosso<br><strong>Media\u00e7\u00e3o: <\/strong>Izabela Lucchese Gavioli<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Dan\u00e7a Digital. Processos e cria\u00e7\u00f5es, da interatividade \u00e0 realidade expandida.<\/strong><\/h4>\n\n\n\n<p>Esta comunica\u00e7\u00e3o visa apresentar a pesquisa de investiga\u00e7\u00e3o das musculaturas ativadas durante a execu\u00e7\u00e3o dos exerc\u00edcios denominados &#8220;Seis B\u00e1sicos&#8221; de Irmgard Bartenieff, verificando o princ\u00edpio de Fraseado por meio de inicia\u00e7\u00f5es e sequenciamento. <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-6\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex\">\n<figure class=\"wp-duotone-000000-ffffff-1 wp-block-image size-large is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" width=\"1015\" height=\"1024\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1-1015x1024.jpg\" alt=\"\" class=\"wp-image-90\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1-1015x1024.jpg 1015w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1-297x300.jpg 297w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1-150x150.jpg 150w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1-768x775.jpg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/carol-1.jpg 1063w\" sizes=\"(max-width: 1015px) 100vw, 1015px\" \/><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-palette-color-1-color\">Ana Carolina Navarro<\/mark>&nbsp;<\/strong><\/h5>\n\n\n\n<p>Doutoranda e mestre em Engenharia Biom\u00e9dica (COPPE\/UFRJ), possui Especializa\u00e7\u00e3o em Estudos Contempor\u00e2neos em Dan\u00e7a (UFBA) e Cinesiologia, Biomec\u00e2nica e Treinamento F\u00edsico (UCAM). Tamb\u00e9m \u00e9 Licenciada e Bacharel em Teoria da Dan\u00e7a (UFRJ), e coordena desde 2018 o Projeto de Pesquisa em Metodologia: dan\u00e7a, etnografias, autoetnografias e outras narrativas. Atualmente, est\u00e1 cursando a Especializa\u00e7\u00e3o em Sistema Laban\/Bartenieff (FAV) e em Biomec\u00e2nica (EEFD\/UFRJ)<em>. <\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Captura de movimento para an\u00e1lise cinesiol\u00f3gica 3D na dan\u00e7a <\/strong><\/h4>\n\n\n\n<p>Ser\u00e1 apresentado o uso da ferramenta Perception Neuron na captura de movimento 3D e discutido como essa ferramenta pode contribuir para o entendimento das especificidades dos movimentos dan\u00e7ados na dan\u00e7a vogue femme.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-10\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-duotone-000000-ffffff-7 wp-block-image size-large has-custom-border is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"991\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/bru-likes-e1690055515313-1024x991.jpg\" alt=\"\" class=\"wp-image-439\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/bru-likes-e1690055515313-1024x991.jpg 1024w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/bru-likes-e1690055515313-300x290.jpg 300w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/bru-likes-e1690055515313-768x743.jpg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/bru-likes-e1690055515313.jpg 1172w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Bru Likes<\/h5>\n\n\n\n<p>Graduada em dan\u00e7a e mestranda no Programa de P\u00f3s-Gradua\u00e7\u00e3o em Ci\u00eancias do Movimento Humano da Universidade Federal do Rio Grande do Sul (PPGCMH\/UFRGS). Dan\u00e7arina e professora de dan\u00e7a, sua linha de pesquisa \u00e9 voltada para a performance f\u00edsica de dan\u00e7arinos. Atualmente, est\u00e1 investigando as caracter\u00edsticas cinesiol\u00f3gicas do elemento dip da dan\u00e7a vogue femme.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Capta\u00e7\u00e3o 3D e avalia\u00e7\u00e3o do alinhamento din\u00e2mico do turnout de jovens bailarinas<\/h4>\n\n\n\n<p>A palestra ir\u00e1 focar na tem\u00e1tica da capta\u00e7\u00e3o 3D e avalia\u00e7\u00e3o do alinhamento din\u00e2mico do turnout de jovens bailarinas cl\u00e1ssicas durante a execu\u00e7\u00e3o do demi-pli\u00e9. Ser\u00e3o apresentados os resultados obtidos na pesquisa desenvolvida junto ao Programa de Ci\u00eancias do Movimento Humano e Curso de Licenciatura em Dan\u00e7a da UFRGS. Ser\u00e3o levantados questionamentos, benef\u00edcios e dificuldades associadas \u00e0 utiliza\u00e7\u00e3o do sistema de captura 3D na pesquisa em dan\u00e7a.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-14\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-duotone-000000-ffffff-11 wp-block-image size-large has-custom-border is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"1024\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1-1024x1024.jpeg\" alt=\"\" class=\"wp-image-443\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1-1024x1024.jpeg 1024w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1-300x300.jpeg 300w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1-150x150.jpeg 150w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1-768x768.jpeg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/isabelapanoso-1.jpeg 1434w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Isabela Panosso<\/h5>\n\n\n\n<p>Bailarina, professora de dan\u00e7a e core\u00f3grafa de ballet cl\u00e1ssico e jazz. Licenciada em Dan\u00e7a pela Universidade Federal do Rio Grande do Sul (UFRGS). Atualmente, est\u00e1 cursando o mestrado no Programa de Ci\u00eancias do Movimento Humano (UFRGS), desenvolvendo pesquisa na \u00e1rea de dan\u00e7a e performance. \u00c9 bolsista CAPES<br>e participante do Grupo de Pesquisa em Arte, Corpo e Educa\u00e7\u00e3o (GRACE).<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Palestrantes: Ana Carolina Navarro, Bru Likes, Isabela PanossoMedia\u00e7\u00e3o: Izabela Lucchese Gavioli Dan\u00e7a Digital. Processos e cria\u00e7\u00f5es, da interatividade \u00e0 realidade expandida. Esta comunica\u00e7\u00e3o visa apresentar a pesquisa de investiga\u00e7\u00e3o das musculaturas ativadas durante a execu\u00e7\u00e3o dos exerc\u00edcios denominados &#8220;Seis B\u00e1sicos&#8221; de Irmgard Bartenieff, verificando o princ\u00edpio de Fraseado por meio de inicia\u00e7\u00f5es e sequenciamento. Ana Carolina Navarro&nbsp; Doutoranda e mestre em Engenharia Biom\u00e9dica (COPPE\/UFRJ), possui Especializa\u00e7\u00e3o em Estudos Contempor\u00e2neos em Dan\u00e7a (UFBA) e Cinesiologia, Biomec\u00e2nica e Treinamento F\u00edsico (UCAM). Tamb\u00e9m \u00e9 Licenciada e Bacharel em Teoria da Dan\u00e7a (UFRJ), e coordena desde 2018 o Projeto de Pesquisa em Metodologia: dan\u00e7a,\u2026<\/p>\n","protected":false},"author":2,"featured_media":480,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"blocksy_meta":{"background":{"desktop":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--paletteColor4)"}}},"tablet":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--paletteColor4)"}}},"mobile":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--paletteColor4)"}}},"__changed":[]},"page_structure_type":"type-3","styles_descriptor":{"styles":{"desktop":"[data-prefix=\"single_page\"] {background-color:var(--paletteColor4);background-image:none;}","tablet":"","mobile":""},"google_fonts":[],"version":5}},"_links":{"self":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/441"}],"collection":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=441"}],"version-history":[{"count":3,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/441\/revisions"}],"predecessor-version":[{"id":473,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/441\/revisions\/473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/media\/480"}],"wp:attachment":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}