{"id":446,"date":"2023-07-22T17:38:43","date_gmt":"2023-07-22T20:38:43","guid":{"rendered":"https:\/\/dance-tech.xyz\/?p=446"},"modified":"2023-07-22T19:23:32","modified_gmt":"2023-07-22T22:23:32","slug":"mesa-2-danca-tecnologia-e-interdisciplinaridade","status":"publish","type":"post","link":"https:\/\/dance-tech.xyz\/?p=446","title":{"rendered":"MESA 2: DAN\u00c7A, TECNOLOGIA E INTERDISCIPLINARIDADE"},"content":{"rendered":"\n<p><strong>Palestrantes: <\/strong>Anielly de Jesus, Luciane Coccaro e Thaisa Martins<br><strong>Media\u00e7\u00e3o: <\/strong>M\u00e1rcio Pizarro Noronha<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Dan\u00e7a, m\u00fasica e tecnologia: uma tr\u00edade c\u00eanica-dial\u00f3gica<\/strong><\/h4>\n\n\n\n<p>O Grupo de Pesquisa Partitura Encenada (GruPPEn) busca diante da pesquisa contato, uma rela\u00e7\u00e3o entre a dan\u00e7a, a m\u00fasica e a tecnologia que componham a cena. Esse di\u00e1logo se d\u00e1 a partir de um instrumento acoplado ao corpo do bailarino, em uma regi\u00e3o espec\u00edfica  previamente escolhida, que capta o movimento atrav\u00e9s de um sensor e emite notas musicais configuradas no programa musical utilizado. Nessa rela\u00e7\u00e3o o bailarino \u00e9 tamb\u00e9m m\u00fasico-performer em sua atua\u00e7\u00e3o c\u00eanica.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-style-rounded wp-duotone-000000-ffffff-1\"><img loading=\"lazy\" decoding=\"async\" width=\"716\" height=\"708\" data-id=\"452\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/aniely-2.jpg\" alt=\"\" class=\"wp-image-452\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/aniely-2.jpg 716w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/aniely-2-300x297.jpg 300w\" sizes=\"auto, (max-width: 716px) 100vw, 716px\" \/><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-palette-color-1-color\">An<\/mark><\/strong>ielly Jesus<\/h5>\n\n\n\n<p>Professora de dan\u00e7a. Core\u00f3grafa. Artista-educadora. Licenciada em Dan\u00e7a pela UFRJ, P\u00f3s-graduada em Educa\u00e7\u00e3o Psicomotora pelo Col\u00e9gio Pedro II, Graduanda em Fisioterapia pela UFRJ e Mestranda em Dan\u00e7a pelo Programa de P\u00f3s-Gradua\u00e7\u00e3o em Dan\u00e7a da UFRJ (PPGDan). Bolsista do programa de monitoria de anatomia para os cursos de Educa\u00e7\u00e3o F\u00edsica e Dan\u00e7a. Pesquisadora de Inicia\u00e7\u00e3o Cient\u00edfica do Grupo de Estudos em Dan\u00e7a e Sa\u00fade &#8211; GEDANSE. Pesquisadora e int\u00e9rprete-criadora do Grupo de Pesquisa Partitura Encenada &#8211; GruPPen. <em> <\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Em breve<\/h4>\n\n\n\n<p>Em breve.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full has-custom-border is-style-rounded wp-duotone-000000-ffffff-3\"><img loading=\"lazy\" decoding=\"async\" width=\"294\" height=\"292\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/lu.jpg\" alt=\"\" class=\"wp-image-448\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/lu.jpg 294w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/lu-150x150.jpg 150w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Luciane Coccaro<\/h5>\n\n\n\n<p>Bailarina. Antrop\u00f3loga. Pesquisadora. Professora dos cursos de gradua\u00e7\u00e3o em dan\u00e7a \u00ac UFRJ. Doutora em Ci\u00eancias Humanas\/Sociologia \u00ac PPGSA\/IFCS\/UFRJ. Mestre em Antropologia Social \u00ac PPGAS\/IFCH\/UFRGS. Graduada em Ci\u00eancias Sociais \u00ac UFRGS. No Departamento de Arte Corporal \u00ac UFRJ \u00ac coordena o Projeto de Pesquisa em Metodologia: dan\u00e7a, etnografias, autoetnografias e outras narrativas desde 2018 com bolsistas PIBIAC. E coordena o N\u00facleo SaPUCa: N\u00facleo de Pesquisa e Extens\u00e3o de Samba no P\u00e9 Urbano Carioca desde 2022. Desenvolve pesquisa de composi\u00e7\u00e3o em dan\u00e7a a partir de estados corp\u00f3reos. Diretora e bailarina do projeto Rastros de Salom\u00e9 e criadora da pesquisa Entrevista com Salom\u00e9: etnografias do feminino.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Em breve<\/h4>\n\n\n\n<p>Em breve.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large has-custom-border is-style-rounded wp-duotone-000000-ffffff-4\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited-1024x1024.jpg\" alt=\"\" class=\"wp-image-43\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited-1024x1024.jpg 1024w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited-300x300.jpg 300w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited-150x150.jpg 150w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited-768x768.jpg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/thaisa-edited.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Thaisa Martins<\/h5>\n\n\n\n<p>Doutoranda em Arqueologia (PPGArq- UFRJ), mestre em Arqueologia (PPGArq-UFRJ), p\u00f3s-graduada em Linguagem da Dan\u00e7a (FURB) e graduada em Teoria da Dan\u00e7a (UFRJ), coordena o Projeto de Pesquisa em Metodologia: dan\u00e7a, etnografias, autoetnografias e outras narrativas desde 2018.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Palestrantes: Anielly de Jesus, Luciane Coccaro e Thaisa MartinsMedia\u00e7\u00e3o: M\u00e1rcio Pizarro Noronha Dan\u00e7a, m\u00fasica e tecnologia: uma tr\u00edade c\u00eanica-dial\u00f3gica O Grupo de Pesquisa Partitura Encenada (GruPPEn) busca diante da pesquisa contato, uma rela\u00e7\u00e3o entre a dan\u00e7a, a m\u00fasica e a tecnologia que componham a cena. Esse di\u00e1logo se d\u00e1 a partir de um instrumento acoplado [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":481,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mesassegundaed"],"blocksy_meta":{"background":{"desktop":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"tablet":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"mobile":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"__changed":[]},"page_structure_type":"type-3","styles_descriptor":{"styles":{"desktop":"[data-prefix=\"single_page\"] {background-color:var(--theme-palette-color-4);background-image:none;}","tablet":"","mobile":""},"google_fonts":[],"version":5}},"_links":{"self":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=446"}],"version-history":[{"count":3,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/446\/revisions"}],"predecessor-version":[{"id":460,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/446\/revisions\/460"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/media\/481"}],"wp:attachment":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}