{"id":454,"date":"2023-07-22T17:57:54","date_gmt":"2023-07-22T20:57:54","guid":{"rendered":"https:\/\/dance-tech.xyz\/?p=454"},"modified":"2023-07-22T19:51:15","modified_gmt":"2023-07-22T22:51:15","slug":"mesa-3-danca-tecnologia-e-memoria","status":"publish","type":"post","link":"https:\/\/dance-tech.xyz\/?p=454","title":{"rendered":"MESA 3: DAN\u00c7A, TECNOLOGIA E MEM\u00d3RIA"},"content":{"rendered":"\n<p><strong>Palestrantes: <\/strong>Edjana Deodoro, Eva Schul, Iara Deodoro e &nbsp;M\u00f4nica Dantas<\/p>\n\n\n\n<p><strong>Media\u00e7\u00e3o: <\/strong>Suzi Weber<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Documenta\u00e7\u00e3o patrim\u00f4nios t\u00e9cnicos e po\u00e9ticos por meio de MOCAP<\/h4>\n\n\n\n<p>A partir da experi\u00eancia&nbsp;&nbsp;na resid\u00eancia art\u00edstica&nbsp;<em>Global Dance Collaboration in the Metaverse<\/em>, propomos uma discuss\u00e3o sobre o potencial de documenta\u00e7\u00e3o e difus\u00e3o de patrim\u00f4nios t\u00e9cnicos e po\u00e9ticos bem como as possibilidades de cria\u00e7\u00e3o coreogr\u00e1fica usando captura de movimentos e imers\u00e3o em ambientes digitais.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full is-style-rounded wp-duotone-000000-ffffff-1\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"836\" data-id=\"456\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EdjanaDeodoro.jpg\" alt=\"\" class=\"wp-image-456\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EdjanaDeodoro.jpg 828w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EdjanaDeodoro-297x300.jpg 297w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EdjanaDeodoro-150x150.jpg 150w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EdjanaDeodoro-768x775.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/figure>\n<\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Edjana Deodoro<\/h5>\n\n\n\n<p>Bailarina do Grupo Afro-Sul de M\u00fasica e Dan\u00e7a desde 1990 e desde 2001, \u00e9 tamb\u00e9m core\u00f3grafa. Atua como professora de dan\u00e7a-afro com t\u00e9cnicas voltadas para os p\u00fablicos adulto e infantil. Formada em Fisioterapia pelo Centro Universit\u00e1rio Metodista IPA (2011). \u00c9 instrutora de Pilates habilitada pelo Instituto Voll Pilates (2012). Em 2022 participou, como bailarina e core\u00f3grafa do Afro-Sul Grupo de Dan\u00e7a e M\u00fasica, da resid\u00eancia art\u00edstica Global Dance Collaboration in the Metaverse, projeto financiado pelo AHRC\/Reino Unido, sediado na Goldsmiths, University of London.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full has-custom-border is-style-rounded wp-duotone-000000-ffffff-3\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"738\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EvaSchul-e1690060113427.jpg\" alt=\"\" class=\"wp-image-457\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EvaSchul-e1690060113427.jpg 727w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/EvaSchul-e1690060113427-296x300.jpg 296w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Eva Schul<\/h5>\n\n\n\n<p>Em 2018 completou 70 anos de vida e 55 de trabalho com dan\u00e7a, dos quais se destacam o pioneirismo no ensino da dan\u00e7a contempor\u00e2nea, a cria\u00e7\u00e3o de mais de 100 coreografias, a dissemina\u00e7\u00e3o de procedimentos de cria\u00e7\u00e3o embasados em improvisa\u00e7\u00e3o e a\u00e7\u00f5es coletivas, a forma\u00e7\u00e3o de artistas de proje\u00e7\u00e3o nacional e internacional, o pioneirismo no ensino da dan\u00e7a na universidade, a atua\u00e7\u00e3o em gest\u00e3o e a constitui\u00e7\u00e3o de ambientes para a pr\u00e1tica da dan\u00e7a e das artes e a cria\u00e7\u00e3o e manuten\u00e7\u00e3o da \u00c2nima Cia. de Dan\u00e7a. Em 2015 foi agraciada pela Ordem do M\u00e9rito Cultural\/Minist\u00e9rio da Cultura. Em 2022 participou da resid\u00eancia art\u00edstica&nbsp;<em>Global Dance Collaboration in the Metaverse<\/em>, projeto financiado pelo AHRC\/Reino Unido, sediado na Goldsmiths, University of London, para a qual criou a coreografia&nbsp;<em>Weaving through the space mass<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full has-custom-border is-style-rounded wp-duotone-000000-ffffff-4\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"521\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/IaraDeodoro-e1690060045599.jpg\" alt=\"\" class=\"wp-image-458\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/IaraDeodoro-e1690060045599.jpg 549w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/07\/IaraDeodoro-e1690060045599-300x285.jpg 300w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Iara Deodoro<\/h5>\n\n\n\n<p>Fundadora do Grupo Afro-Sul de M\u00fasica e Dan\u00e7a (1974) e&nbsp;&nbsp;desde ent\u00e3o coreografou e dirigiu mais de 30 espet\u00e1culos para a companhia.&nbsp;&nbsp;Formou-se na Escola de Dan\u00e7as Folcl\u00f3ricas da Professora Nilva Pinto, em Porto Alegre, no per\u00edodo de 1968 \u00e0 1978 e desenvolveu a Metodologia de Dan\u00e7a Afro-Ga\u00facha: Iara Deodoro. Graduada em Servi\u00e7o Social, focada em fam\u00edlias negras monoparentais, Iara tem p\u00f3s-gradua\u00e7\u00e3o em Educa\u00e7\u00e3o Popular e Gest\u00e3o em Movimentos Sociais. \u00c9 Coordenadora pedag\u00f3gica do grupo de Escolas Preparat\u00f3rias de Dan\u00e7a (EPD\u2019s) e est\u00e1 \u00e0 frente do Instituto Cultural Afro-Sul Odomode. Em 2022 participou da resid\u00eancia art\u00edstica&nbsp;<em>Global Dance Collaboration in the Metaverse<\/em>, projeto financiado pelo AHRC\/Reino Unido, sediado na Goldsmiths, University of London, para a qual criou a coreografia&nbsp;<em>&nbsp;Alma Negra<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full has-custom-border is-style-rounded wp-duotone-000000-ffffff-5\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" src=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/monica-edited.jpeg\" alt=\"\" class=\"wp-image-80\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/monica-edited.jpeg 768w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/monica-edited-300x300.jpeg 300w, https:\/\/dance-tech.xyz\/wp-content\/uploads\/2023\/04\/monica-edited-150x150.jpeg 150w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">M\u00f4nica Dantas<\/h5>\n\n\n\n<p>Professora Associada na Universidade Federal do Rio Grande do Sul, no&nbsp; Programa de P\u00f3s-Gradua\u00e7\u00e3o em Artes C\u00eanicas da UFRGS. Bolsista Capes\/PRINT\/UFRGS para realiza\u00e7\u00e3o de Est\u00e1gio de Professor Visitante na Coventry University\/Centre for Dance Research (C-DaRE\/Reino Unido) e Bolsista Capes para realiza\u00e7\u00e3o de P\u00f3s-Doutorado na Coventry University\/C-DaRE. Doutora em Estudos e Pr\u00e1ticas Art\u00edsticas pela Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (Canad\u00e1). Coordena o projeto Carne Digital: Arquivo Eva Schul (www.ufrgs.br\/carnedigital), que recebeu o Pr\u00eamio A\u00e7orianos de Dan\u00e7a 2021 na categoria Mem\u00f3ria. Coordenou a equipe de artistas e pesquisadores brasileiros que participou da Resid\u00eancia Art\u00edstica Building an international network for virtual dance collaboration (Reino Unido\/EUA\/\u00cdndia\/Tail\u00e2ndia\/Brasil). Coordenou o Projeto Dar Carne \u00e0 Mem\u00f3ria, pelo qual recebeu o Pr\u00eamio Funarte Klauss Vianna de Dan\u00e7a 2009 e os Pr\u00eamios A\u00e7orianos de Dan\u00e7a 2010 de Melhor Espet\u00e1culo, Coreografia e Produ\u00e7\u00e3o. Integra Coletivo 50+&nbsp; e atua como bailarina convidada da \u00c2nima Cia. de Dan\u00e7a e da Eduardo Severino Cia. de Dan\u00e7a.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Palestrantes: Edjana Deodoro, Eva Schul, Iara Deodoro e &nbsp;M\u00f4nica Dantas Media\u00e7\u00e3o: Suzi Weber Documenta\u00e7\u00e3o patrim\u00f4nios t\u00e9cnicos e po\u00e9ticos por meio de MOCAP A partir da experi\u00eancia&nbsp;&nbsp;na resid\u00eancia art\u00edstica&nbsp;Global Dance Collaboration in the Metaverse, propomos uma discuss\u00e3o sobre o potencial de documenta\u00e7\u00e3o e difus\u00e3o de patrim\u00f4nios t\u00e9cnicos e po\u00e9ticos bem como as possibilidades de cria\u00e7\u00e3o coreogr\u00e1fica [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":485,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mesassegundaed"],"blocksy_meta":{"background":{"desktop":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"tablet":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"mobile":{"background_type":"color","background_pattern":"type-1","background_image":{"attachment_id":null,"x":0,"y":0},"gradient":"linear-gradient(135deg,rgba(6,147,227,1) 0%,rgb(155,81,224) 100%)","background_repeat":"repeat","background_size":"auto","background_attachment":"scroll","patternColor":{"default":{"color":"#e5e7ea"}},"overlayColor":{"default":{"color":"CT_CSS_SKIP_RULE"}},"backgroundColor":{"default":{"color":"var(--theme-palette-color-4)"}}},"__changed":[]},"page_structure_type":"type-3","styles_descriptor":{"styles":{"desktop":"[data-prefix=\"single_blog_post\"] {background-color:var(--theme-palette-color-4);background-image:none;}","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=454"}],"version-history":[{"count":3,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/454\/revisions"}],"predecessor-version":[{"id":486,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/posts\/454\/revisions\/486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=\/wp\/v2\/media\/485"}],"wp:attachment":[{"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance-tech.xyz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}